Article first published in Bonjour Paris, 20 April 2021

On a hill overlooking a bend of the Seine to the west of Paris, the vast Parc Saint Cloud, which once surrounded a royal château, is nowadays mainly frequented by locals. This short walk through the eastern part of the park, just 10 km from Notre Dame at the end of the line 9 métro, produces a real sense of dépaysement on the doorstep of Paris.

You are transported from the stately 17^th century French formality of the Grande Cascade waterfall with its panoramic views of Paris to the romantic hilltop Jardin de Trocadéro designed à l’anglaise in the early 19^th century as a secluded retreat for the children of the royal family.

In post-Covid times you can also visit two interesting and very different museums at opposite ends of the park, which you will pass en route. The walk continues through the quiet little streets of the old hillside town of Saint Cloud with its church containing the relics of the sixth century saint who gave the town and the park his name. From there you descend by a series of steps to a range of transport options, including the 72 bus which follows the right bank of the Seine in Paris from the Pont Mirabeau to the Ile St Louis, giving you an armchair view of some of the city’s most iconic sights.

3½ km walk from Pont de Sèvres to Saint Cloud

Take métro line 9 to its terminus at Pont de Sèvres and leave by ‘sortie no. 1’ which will bring you out into the bus station. Keep walking straight ahead towards a pedestrian crossing on the right which will take you onto the right-hand side of the Pont de Sèvres.

You can see an egg-shaped glass-covered dome to your left on the Ile Séguin, a useful landmark. It is the auditorium of La Seine Musicale, a music and performing arts centre which opened in 2017. The 19^th-century building ahead on the other side of the river, surmounted by a clock, is the Musée de Sèvres, Cité de la Céramique, on the edge of the Parc Saint Cloud.

Take the steps down from the bridge, marked ‘Musée de Sèvres’. Turn right along the main road and follow the signs for the Musée de Sèvres across the pedestrian crossing.

The museum tells the story of the art of pottery, with examples drawn from every period and every country, but with pride of place given to the porcelain which has been manufactured in Sèvres since 1759. It is never crowded and worth a look even if you know nothing about ceramics. The more you discover, and you will discover a lot here, the more interesting it becomes.

The museum is currently closed, so turn right past the entrance and continue to a gate which leads into the Parc Saint Cloud, on a path parallel to the Seine but mercifully not too close to the busy road beside it. I have never forgotten the sense of release I felt when I first visited this museum on an impulsive escape from Paris and discovered the entrance to the unsuspected 490-hectare park next door.

The hillside setting with its sweeping views of the Seine is visually more dramatic than Versailles, but without the crowds. Without the château either of course, although since 2012 an association has been lobbying for its reconstruction.

In the 16^th century a château stood halfway up the hill with gardens sloping down to the Seine. The setting was so attractive that in 1658 Louis XIV bought the château and its 12 hectares of parkland for his younger brother, the 18 year old Philippe d’Orléans. By the time ‘Monsieur’ died in 1701 the original château had been absorbed into the fabric of a much grander building and the park, re-designed by Le Nôtre, had expanded to a whopping 590 hectares. The finishing touches to the Grande Cascade staircase waterfall were added by Jules Hardouin-Mansart in 1690.

The château was a favourite country retreat with its successive royal and imperial owners, including Marie Antoinette, Napoleon I and Napoleon III. It was the setting for Napoleon’s coup d’état in 1799 and for that of his nephew in 1852. It was from Saint Cloud that Napoleon III made his ill-fated declaration of war on Prussia in 1870. Two months later the château had become the headquarters of the Prussian army besieging Paris and was bombarded by the French from the nearby fort of Mont-Valérien. One of their shells fell into the Emperor’s apartments and started a fire which burned for two days. It seems that the Prussians were not displeased by this turn of events and did nothing to put it out. Twenty years later the burnt-out ruins, a sad reminder of defeat, were finally dismantled by the French state, which continues to be the owner of the park.

Walk straight on for about a kilometre, past a pompous group of statues (‘France crowning Art and Industry’, 1900) until you come to the 90-metre long Grande Cascade, the most visually dramatic ensemble in the park.

 All the fountains and jets in the park are turned on annually every Sunday in June for 25 minutes, at 3, 4 and 5 pm and can be seen here. Free concerts are sometimes held in the park at these times if the weather is fine.

Take the left-hand path to the top and turn left, then right past a square of water, the Bassin du Grand Jet, overlooked by an elegant group of statues (lead photo). Turn right up steps to follow a path which will bring you to the back of the statues overlooking the Grande Cascade, with a plunging view of the Seine and some well-known Paris landmarks, including the Eiffel Tower and the Sacré-Coeur.

You cannot continue much further along this path behind the statues as it has been barred, so retrace your route slightly to go down steps on the right and turn right uphill, past the semi-circular Bassin du Fer à Cheval, which contains some enormous carp, and the rectangular Bassin des Carpes on your right which does not, as far as I could see. Continue past the Bassin des Carpes and then follow the path to the left to join the Avenue de la Grille d’Honneur, with the little Musée Historique on your right.

This building and the larger one opposite, originally servants’ and guards’ quarters, are the only structures belonging to the château to have survived the fire. The under-visited little five-room museum (free admission) displays the history of the château, and contains a helpful scale model of the original structure.

To the right of the museum entrance there is a discreet door leading to a public wc and two vending machines selling coffee, soft drinks and snacks. It was deserted on my recent visit. There is an elegant café called L’Orangerie not far away near La Petite Gerbe which now sells takeaway coffee, beer and crêpes, but with a long queue outside.

Turn left from the museum entrance. The clipped triangular yew trees in front of you mark the outline of the vanished château. Above them, to the right, is a series of steps which lead up to the Jardin de Trocadéro, the high point of the park and of the walk, with spectacular views of Paris en route.

The plateau at the top of the hill was landscaped around a central lake and a stream in 1823 to create a private garden in which the royal children could study and play, with interior views rather than the formal panoramic views in the rest of the park. It contains rare scented flowering trees from Lebanon and China, chosen to give a continuous display of colour throughout the year. It has been open to the public since 1872, but on weekdays remains a delightfully secluded hilltop retreat, with more birds than people. On my recent visit on a sunny Sunday, the park’s busiest day, it was full of people picnicking on the grass but the atmosphere was quiet and peaceful and there was plenty of room for everyone. The grass is dotted with wild flowers.

Go round the lake clockwise to leave the Jardin by the northern corner. Keeping the river on your right and the distinctive church spire of Saint Cloud in front of you, follow a winding path downhill which will take you past a children’s playground on the right to the exit at the Grille des Ecoles.

Continue along the path, now called the Allée des Lilas, which becomes the Rue des Ecoles, and passes some exotic-looking 19^th century villas.

Continue across the Place de Silly, and turn right downhill along the Rue Dr Desfossez. This older part of town still feels like a village, with steep narrow streets clustered around the church. Turn left down steps to go into the side entrance of the 19^th-century church, built on the site of a much earlier one. Its spire appears to have been copied from an earlier version, as it is recognisable in the 1675 painting. I have always found it open.

On the left at the back there is a chapel to Saint Clodoald, the grandson of the first French king, Clovis. An elaborate memorial plaque recounts the story of how he escaped the fate of his royal brothers, murdered by their uncles, and grew up to become a priest, renouncing the throne and the world by symbolically cutting off his long hair. He founded a monastery here, which became a place of pilgrimage after his death in 560 and has given the town its name.

His relics are preserved in a casket under the altar of his chapel. The plaque on the left commemorates the visit of the Bishop of Saint Cloud on the Mississippi to this church in 1922.

Leave the church by the main door next to Saint Clodoald’s chapel. To your right is the Rue de l’Eglise which has a baker selling takeaway coffee. There is an old-fashioned café next door, a good place to stop for a drink in non-Covid times.

Directly in front of you in Place de l’Eglise is a bust of the composer Charles Gounod 1818-1893, a resident of Saint Cloud, with steps leading down through a little park to the tram and bus stops.

Follow the steps down through the Square Gounod and leave by the exit on the right. Turn right down the busy Rue Dailly and cross it at the pedestrian crossing. Look left to find steps leading down through the Rue Audé to the T2 tram stop for Parc de Saint Cloud. Trams from here go to La Défense.

For the 52 and 72 buses to Paris, continue over the footbridge across the tram line and downhill. The terminus for the line 10 métro, Boulogne Pont de St-Cloud, is only 500 metres away across the Pont Saint Cloud, but the walk is so horrible, surrounded by snarling traffic, that I strongly recommend taking either bus there, whichever leaves soonest. Get off two stops later for the métro station, also known as Rhin et Danube.

The 72 bus ride to Paris is by far the most enjoyable route back, taking about 55 minutes to Châtelet. Sit on the right-hand side for close-up views of the Eiffel Tower, Invalides, the Assemblée Nationale, the Musée d’Orsay, the Conciergerie and Notre Dame.

Métro line 9 to Pont de Sèvres or line 10 to Boulogne Pont de St Cloud, 40 minutes from central Paris. Buses 52 or 72 from Parc St Cloud to central Paris, around 55 minutes. T2 tram from Parc St Cloud to La Défense, 13 minutes. Details

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Here is the full text of the article which was first published in Bonjour Paris on 23 March 2021

The great attraction of this little-known walk around Sucy-en-Brie is that it combines some  unexpected glimpses of wildlife with buildings of historic interest, just 29 minutes from Châtelet les Halles with trains every 10 minutes.

Sucy-en-Brie is between the River Marne and the edge of the Forêt de Notre Dame, partly encircled by two streams which flow into the Marne. The canons of Notre Dame de Paris were the seigneurs of Sucy and the surrounding land from the seventh century until the Revolution and until the late 19^th century it remained an agricultural village with a small population. In the 17^th century a few Parisian families built châteaux de plaisance there, attracted by this bucolic spot only 22 km from the capital. Madame de Sévigné spent part of a happy childhood in one of them. It was the coming of the railway in the 1870s which led to a population explosion and eventually transformed Sucy-en-Brie a century later into a suburb of Paris on the RER A train line.

But the old village with its narrow streets clustered around the 12^th century church is the heart of the modern town and there is a new appreciation of its historic value, visible in its recent restoration and partial pedestrianisation. Four of the original six châteaux are still standing, although put to other uses, and many green spaces have been preserved as public parks. The 19^th century fort on the edge of town is accessible to anyone who cares to wander inside. When normal times return I will be trying out the Bistrot du Fort nearby. This restaurant and the café next to the station are open on Sundays, which is another plus as far as I am concerned.

8½ km walk around Sucy en Brie

This walk mostly follows the GR route.

On leaving the train take ‘Sortie 1, Place de la Gare’. Cross the road diagonally to the left towards the pharmacy with its green cross on the corner of Rue Montaleau. A baker and a small grocery store in between the café and the pharmacy are useful sources for picnic supplies, open on Sundays.

Follow Rue Montaleau uphill and take the third left into the Rue de Sévigné, past a distinctive house with a cupola.

Madame de Sévigné was orphaned at the age of seven and spent part of her childhood in the Château de Montaleau, the home of her grandfather, Philippe de Coulanges. The château is on the hill at the end of Rue Montaleau and you will pass it on the way back. It now houses the Tribunal d’Instance, the magistrate’s court.

Turn left into the Rue de Sévigné and then right into the Rue des Fontaines. Take the first left onto a rustic little GR footpath, the Sentier du Vieux Val, which winds around people’s back gardens, one of them containing a few inquisitive hens.

At the end of the path turn right onto the Rue Maurice Berteaux and continue uphill to the traffic lights. Cross at the pedestrian crossing and take the first left into the Rue Raspail. At the end of this street cross the Rue Thiers onto another little GR footpath straight ahead and continue to the Rue Chevreuil. Turn right and keep straight on down the Rue Pasteur until you see a pond with a bench, overlooking an islet accessed by a footbridge, a favourite place for ducks. The pond is grandly named the Lac du Grand Val and is fed by the Morbras. A bras mort, literally ‘dead arm’, means a backwater.

After a while if you look hard at the islet you will probably spot a coypu or two, camouflaged by their colour to blend into the water’s edge. In fact on my recent visit we saw so many that we named the islet Coypu Central. A coypu looks like a cross between a beaver and a large water vole. Originally brought to Europe from South America to be bred for their fur, coypu are now considered an invasic species and have been eliminated in England, although not yet in France where the word for them is ragondin. The ones in Sucy were absolutely fearless and came out of the water to nibble the grass only a few feet away from us and some passersby.

Turn left from the bench and follow the water right round to its end on the opposite bank, where you will see a pedestrian crossing. Cross it and look up to see steps above you. Climb these and turn left, over a small bridge across the Morbras which cascades noisily here over a little weir. The entrance to the Parc du Morbras is a little further, on your right.

The Morbras flows through the bottom of this park, which feels beautifully untamed although it has a children’s playground, two picnic tables and is overlooked by some houses. I first visited it in November, when it was deserted and covered with colchiques, wild autumn crocuses, a rare sight in urban areas.

On my February visit it was full of planted spring crocuses and local people enjoying the sunshine but the parts near the river still felt more like the countryside than like a park. Take the lower path close to the Morbras and follow it for the length of the park and through the inevitable car park to the exit.

Turn right and follow the road downhill, cross at the pedestrian crossing on the left and turn right into a busy road, the Avenue Maurice Schumann. Follow it across the Morbras and left into the Rue de Noiseau. Cross the road here and take the GR footpath on your right into a wood bordering a little stream, the Rû de la Fontaine Villiers. Follow the stream on your left for just over a kilometre, through a kind of straggling park, frequented by locals. The footpath forks at the end, from where you can see the D136 ahead.

Take the righthand fork and follow the path until it ends at a small road, the Avenue de la Fontaine de Villiers. Continue along the road for a few metres to a pedestrian crossing. Cross and follow the footpath straight ahead under pine trees, parallel to the busy main road, Avenue Charles de Gaulle. You will eventually come to a roundabout and a restaurant on your right, Le Bistrot du Fort. I have never tried this restaurant which is of course closed at the moment but its terrace and traditional French menu look promising.

Continue along the main road and take the first right, an unmarked footpath which follows the moat around the Fort de Sucy on your right and leads straight to the entrance. The fort was one of a series constructed to defend the capital between 1879 and 1881 after the disastrous siege of Paris by the Prussians in 1870. It did not play an active part in the First World War and was occupied by the Germans for most of World War Two.

They blew up their munitions and part of the fort before their retreat in August 1944, but enough is left to give you an interesting glimpse into late 19^th century French defensive architecture. It is managed by a voluntary association who dress up in military uniforms of the period for the free guided tour at 3 pm on the first Sunday of each month. I happened to arrive at the right time on my first visit and found the little museum inside rather touching. It is closed at the moment but you can always wander round the fort on your own. On my recent visit one of the courtyards was being used for practice by a local archery club, which seemed fitting.

Turn left from the fort entrance and return along the Allée des Douves towards the main road, Rue Ludovic Halévy. Take the GR woodland footpath on your right which parallels the main road and continues past some attractive old buildings. This walk is used by local people walking their dogs and astonishingly, given the busy road close by, we heard an even noisier woodpecker which was attracting everyone’s attention above our heads.

The footpath leads to a car park and passes a handsome 17^th century building now used as the salle de mariage for civic weddings. It was formerly the Château de Haute Maison. After 1893 it was the home of Ludovic Halévy, the librettist of Carmen, and his family who entertained many distinguished visitors there.

Cross the main road ahead of you, the Avenue Winston Churchill, at the pedestrian crossing into a quiet little street straight ahead, still the Rue Ludovic Halévy, into the heart of the old village. Turn left into the Rue Guy Mocquet, follow it round to the right into Rue de la Porte, whose name recalls the town’s former ramparts, and turn left into the Rue de Boissy. The Eglise St Martin is on your right. Go round it to your right to find the entrance.

I have always found this church open and it has a very peaceful atmosphere, perhaps because it has stood here for so many centuries. There seems to have been a church dedicated to St Martin on this spot since 811 although the earliest parts of the present church date from the 12^th and 13^th centuries. In 1793 three of its four bells were melted down by the revolutionaries to make cannon but they left the biggest one, called Martine, which dates from 1658. Three more have been added since 1997.

Turn right from the church into the Rue du Moutier. At the end turn left downhill into the busy Rue Pierre Semard. Continue downhill past the Tribunal de Proximité on the right, the former Château de Montaleau owned by Madame de Sévigné’s grandfather, which dominates the hill.

Cross at the pedestrian crossing and take a path straight ahead, indicated by a sign for the car park reading  ‘P Montaleau (sous-sol)’.  Follow it past the château on your right and turn left to go through the park along a straight path leading downhill. You will eventually pass a stretch of water on your right and soon afterwards the path becomes the Rue Montaleau. Continue downhill, past the house with the cupola on the corner of Rue de Sévigné which you passed earlier, to return to the station.

RER A trains to Boissy St Léger run every 10 minutes from Châtelet les Halles, taking 29 minutes to Sucy-Bonneuil. Details on https://www.transilien.com/

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Here is the full text of the article which was first published in Bonjour Paris on 11 February 2021

Exploring the River Oise in the footsteps of the Impressionists

It was the coming of the railway that made the sleepy agricultural villages and towns along the River Oise so attractive to the Impressionists. They were dedicated to painting in the open air and mostly short of cash because their new style of painting did not sell. The region offered varied landscapes which were just beginning to be affected by industrialisation but had not yet become suburban and it was within easy reach of Paris, with lower rents.

What was true for the Impressionists is still true for today’s Parisians looking for a rewarding day out in the country. The creation of the new town of Cergy Pontoise in the 1960s led to the building of a second railway line, the RER A, but development and population expansion have been mainly inland. The banks of the river have changed remarkably little in over a hundred years. They are still lined with 19^th century villas and often the only sound is that of birdsong as huge working barges slide silently past. Even in winter, in the rain and with restaurants closed because of the current restrictions, you can be sure of spacious views, not many people, most of them local, and a railway station within easy reach.

Dr Gachet, the doctor and friend of many Impressionist painters, moved to Auvers sur Oise in 1872. His friend Camille Pissarro settled in Pontoise in the same year. Known affectionately as ‘the father of Impressionism’, he invited his younger painter friends, Cézanne, Gauguin and Van Gogh among others, to paint with him there. The railway also turned obscure villages such as Eragny into popular destinations for weekend visitors from Paris, who came to fish along the banks of the Oise. The fondue restaurant O Châlet was once a guinguette from where a ferry took fishermen across the river, and something of the guinguette holiday atmosphere still lingers in its cosy interior, packed with local families at the weekend.

The suggested 7½ km walk along the left bank of the Oise starts at St Ouen l’Aumône station with a detour to the 13^th century Abbaye de Maubuisson, then follows the river past Pontoise and the views painted by Pissarro and his friends to the fondue restaurant at Eragny, ending at the SNCF station of Eragny Neuville, with an alternative walk to the RER station of Neuville Université. But you could skip the Abbey and Pontoise and start the walk at St Ouen l’Aumône Quartier de l’Eglise station instead, ending at either of the two stations at Eragny (4½ km) or just walk to the restaurant for lunch from either station and back (3 km). You could also prolong the walk along the Oise from the restaurant, crossing the bridge to Cergy Port for the RER stations at Cergy Préfecture (5 km) or Cergy St Christophe (7 km).

7½ km walk from St Ouen l’Aumône to Eragny Neuville

From the station take the exit marked ‘Rue du 8 mai 1945’ and turn left, under the railway bridge. Take the pedestrian crossing into the Rue Guy Sourcis opposite on your right and follow the railway line until you reach a level crossing. Cross the line and turn left, following the sign for ‘Abbaye de Maubuisson’ into Avenue Richard de la Tour.

Follow the path right round to the park entrance, from where you will see a long low building, the former chapter house which now functions as an arts centre.

This building is all that remains of the once extensive Abbey which covered 79 acres, but it is impressive enough to make the visit worthwhile, even though the current restrictions mean that you cannot go inside. With the little stream of the Liesse flowing through its grounds and even fewer visitors than usual, the Abbey is a good place for a picnic.

It was founded in 1236 by Blanche of Castille, the pious wife of Louis VIII and the mother of Louis IX, Saint Louis, close to her château in Pontoise. It was both a Cistercian convent for up to 120 young women of royal or noble birth and an occasional royal residence. It was from here that Philippe le Bel issued the infamous order to arrest the Knights Templar in 1307. But by the end of the 18^th century it had fallen into decline, with only a few nuns left when it was closed on the order of Louis XVI in 1786.

Retrace your steps to the level crossing and continue downhill to the very end of the Chaussée de Maubuisson. Cross the main road and take the footpath opposite, marked ‘Chemin de Pothuis’ which leads to the Oise.

Turn left along the towpath. Across the river you will soon see the gracious silhouette of the 12^th century cathedral at Pontoise. Eventually you will pass some concrete bases with an information panel beside them explaining that they were part of the ‘Ligne Chauvineau’, a line of military anti-tank defences put up along the Oise in 1939 to protect Paris from invasion.

A little further on you will pass reproductions of eleven paintings done between 1872 and 1908, nine of them by Pissarro in the 1870s, placed at the spot where they were painted.

Pissarro lived across the river in Pontoise at 85 Quai du Pothuis. The views have not changed as much as you might expect, although some of the factories shown in the paintings have disappeared. The sight of the bridge and the ramparts at Pontoise, in the Middle Ages a frontier town defending the borders of the kingdom of France, immediately explains the appeal of this spot to a painter.

Continue along the towpath, past the lock and another bridge. About 250 metres after the bridge you will pass a former inn, Le Goujon d’Eragny, with a worn stone memorial tucked under a side window, facing the direction in which you are walking.

It was put up by the inhabitants of Eragny in memory of one of the seven crew of an RAF Lancaster bomber whose body was recovered here after the plane crashed on 6 June 1944. It was on a mission to destroy the station at Achères to hamper German communications during the D-Day landings but was brought down by anti-aircraft fire. It exploded over the 11^th century church at Eragny, which was completely destroyed, although no civilians were killed. Six of the airmen are buried together in the new cemetery at Eragny; the body of the seventh was never recovered and must have fallen into the Oise.

Soon afterwards you will pass O Châlet, with a row of skis outside and the red and white flag of Haute Savoie, a reminder of the regional dishes of raclette and fondue in which the restaurant specialises.

I first passed it on a Sunday walk along the Oise last February and went inside to ask for their card. It was like stepping into a 1950s time-warp, packed with local multi-generational families in festive mood and pervaded by the delicious smell of melting cheese. Modest family-owned places like this are fast disappearing in the Ile de France and I made a mental note to go back and try it out. I did go back on a rainy Sunday several weeks later, with my family who were over on a visit from England. The six of us were the only foreigners but we immediately felt at home. The kir was made of rosé wine flavoured with griotte cherries and it was generous and good. So was the fondue and the very reasonably-priced house wine. When the owners discovered that we had come all the way from Paris by train in non-stop rain they offered us a lift back to the station, which we gratefully accepted. I have not been able to return because lockdown intervened but they assure me that they will be re-opening as soon as it ends. My 24 year old niece later told me that the trip to ‘the restaurant by the river’ was the highlight of her Paris visit.

O Châlet is on the corner of  Rue de la Fontaine, which leads to La Carrière à Pépin, a former quarry a few metres away. The information panel there reproduces a photo of Débussy and his wife posing in front of the quarry on a visit to Eragny in 1902.

To reach the SNCF station at Eragny Neuville follow the Rue de la Fontaine uphill, past the quarry. The street is named for a local spring which never freezes in winter, making it a valued resource in the days before piped water was supplied to every house. A lavoir (wash house) was built around it in the 19^th century, and until the 1950s professional washerwomen came from other villages to do the washing for Paris weekend visitors to Eragny. It is located just after the bend in the road, down steps on the left, with an information panel showing a rare photo of a lavoir in use.

Continue to the end of Rue de la Fontaine and turn sharp right uphill into Rue de la Gare. At the little roundabout take the first right into Rue de Neuville. There is a good view of the Oise from here just before you turn left into the little Rue des Belles Hâtes, which leads to steps down to the station. Cross to the other side for trains to Paris.

NB: If you are heading for the RER station at Neuville Université, continue from O Châlet to the next bridge. Take the road under the bridge, the Chemin de la Carrière à Pépin, follow it uphill and round to the left and go up steps on your right onto a main road. Cross at the pedestrian crossing on your left and turn left past the Parc Relais car park, then take the first right which will lead you through the bus station to the RER station.

Trains from Gare du Nord to Pontoise run twice an hour, stopping at St Ouen l’Aumône 38 minutes later. Trains from Eragny-Neuville to St Lazare run two to three times an hour, taking 35 minutes.

RER A trains from Neuville Université to Châtelet-Les Halles run three times an hour, taking 34 minutes. https://www.transilien.com/

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Here is the full text of the article which was first published in Bonjour Paris on 27 November 2020

Discovering the River Yerres: mills, menhirs and the Maison Caillebotte

In between confinements this year, I began following the tributaries of the Seine and the Marne in search of new walks near Paris. These minor rivers are generally not far from a railway station, stations which I had always assumed served faceless built up suburbs. Wrong. Yes, suburbs have sprung up around the medieval villages and hamlets on these little rivers but at the heart of them you will find traces of a many-layered past, existing side by side with modern infrastructure. And usually the closer you get to the river, the further back you journey in time and the more surprising and picturesque the walk becomes.

Brunoy on the River Yerres, a tributary of the Seine 21 km south east of Paris, is a good example. In the seventh century it was mentioned as a royal possession, prized for the good hunting to be had in the nearby Forêt de Sénart. Its famous château was demolished in the Revolution but Brunoy continued to attract successful Parisians who built several imposing country residences there, some still standing although put to other uses. It is still essentially a residential town.

5 km walk along the River Yerres from Brunoy to Yerres

From Brunoy station take the Place de la Gare exit marked ‘Bus’ which will bring you to the Rue de la Gare with a big brasserie/tabac on the corner. Follow it round to the right, past the modern Mediathèque and a small war memorial. You will see the spire of the church above the skyline on your left. Turn left to face the grandiose Mairie (1898) set in a little square with an imposing plane tree in front of it and the Tabac de la Mairie beside it in the Grande Rue on your right. This is a good place to stop for a drink, savouring the relaxed, almost provincial feel of the scene in front of you. In the Middle Ages this part of Brunoy with its 12^th century church, built on the site of an earlier one, was surrounded by a rampart along what is now the Grande Rue, and it is still the heart of the modern town.

With your back to the Tabac de la Mairie turn into the first street on the left, the little Rue Pasteur, then take the first right, the tiny Rue St Nicolas. Turn left into a narrow un-named cobbled street, more like a passage, which will bring you to the back entrance of the Eglise St Médard, built in the 12^th, 13^th and 16^th centuries, embellished in the 18^th century and restored in 2005. Turn right and go down steps into the Place St Médard. The main entrance to the church is up the steps on your left.

From the church main entrance turn left and follow the Rue Montmartel round to the left. At the crossroads turn right downhill onto the Rue du Pont Perronet. You will pass a picturesque old mill which is now a hotel, on the site of an earlier mill belonging to the château.

Continue across the bridge and take the pedestrian crossing onto the Ile de Brunoy, passing a restaurant called Le Pavillon de l’Ile on your right. It would be a good place to have lunch as it is in a beautiful setting and modestly priced. I have only had coffee here but the food has enthusiastic reviews on French TripAdvisor. Its terrace has an excellent view of the Neolithic menhir, La Pierre Fritte, on the opposite bank of the River Yerres. Continue along the path a little way and walk down to the river on your right, opposite the children’s playground, to see the menhir.

La Pierre Fritte dates from around 3000 BC but its function remains a mystery. The name derives from la pierre fichée (figée) en terre, literally ‘stone stuck in the ground’. At 2.5 metres high, with another metre buried in the soil, it is the tallest stone visible of a group of three There is a much smaller one next to it and a bigger one submerged in the river beneath it.

Further along the path you will see a wooden barn, La Grange de l’Ile, which dates from the 19^th century and has been recently restored. You could continue for a little wander along the island, which is an attractive public park with two picnic tables and paths along the Yerres on both sides, crossed by an impressive viaduct built in 1849.

Retrace your steps to the Pavillon de l’Ile and cross the bridge to the other side of the river. The Pont Perronet, built around 1784, is named after its engineer who also designed  the Pont de la Concorde in Paris. It has a tasteful Greek border running along its parapet. Take the steps down from the bridge and follow the path with the river on your right.

The entire walk is waymarked with the red and yellow GRP stripes. See http://www.annabelsimms.com/wp-content/uploads/French-footpath-signs-explained-pdf.pdf

You will pass quite a few locals en route but the walk feels rural rather than suburban, with towering trees, leaf-strewn paths and the sound of ducks and moorhens.

You will soon have another view of the mill with the church at Brunoy behind it. There is a heron visible in the photo if you zoom, down from the church spire.

The path ends at the picturesque Pont de Soulins, built in 1745 and painted by Caillebotte in 1874.

Cross the road and turn right onto this bridge, which has a footpath on the left leading to a gateway into the Parc de la Maison des Arts. The Maison is a villa, Le Réveillon, built in 1870 and now an arts centre, which you will eventually pass on your right.

The path soon goes under another impressive viaduct. Continue following the river, watching out for a discreet GRP left turn sign which will take you across a footbridge and up an embankment onto a main road. Cross the road straight ahead of you, if you can (the pedestrian crossing is further away) to a small road directly opposite showing a height restriction of 1.90 metres for cars. This is the unmarked continuation of the river footpath, next to a children’s playground in the Parc des Deux Rivières at Yerres.

Cross the next little footbridge over a dam and turn right to follow the Yerres onto the Ile Panchout. There are extracts from poems along the path which I personally found rather irritating, although well-intentioned. You may glimpse a fenced-off herd of Highland cattle, introduced here for ‘l’éco-pâturage’ i.e. to crop the grass in a sustainable way.

Turn right across the next footbridge and continue to follow the river. When you see a roadbridge ahead leave the path and take the steps on your right up to the bridge and a bus stop. Cross the road and turn left, over the river. The Maison Caillebotte is the white building straight ahead on the right.

Admission to the grounds, which contain some remarkable trees, is free. I have not visited the house but the grounds alone are worth the trip.

The Caillebotte family bought the property in 1860 and spent their summers there until they sold it in 1879. It had been transformed by a previous owner in 1824 who turned the extensive grounds into a landscaped jardin à l’anglaise, complete with orangery, ice-house and other fashionable fabriques. The former ‘chalet Suisse’ now houses the restaurant and tea-room and the walled kitchen garden, where I helped myself to some raspberries,  has been beautifully restored and is run by volunteers.

Like most of the owners of elegant villas in Brunoy and Yerres, Caillebotte père had made his fortune in Paris, in his case by supplying the French army with sheets and blankets. His second son, Gustave (1848-1894) became a talented painter of independent means, champion and patron of the Impressionists. The bucolic river and garden setting at Yerres inspired several of his early paintings. His outstanding collection of Impressionist paintings now forms the heart of the collection at the Musée d’Orsay.

To return to Paris turn right from the Maison Caillebotte onto the main road and continue on the right past La Grange au Bois, a 19^th century villa in the fashionable ‘rustic’ style, now a music and dance conservatory, along the long Rue de Concy. When you come to a roundabout, turn left into Rue de la Gare and continue uphill. Cross the road and take steps up on the right to the RER station at Yerres.

RER D trains from Gare de Lyon to Melun run two to three times an hour, stopping at Brunoy 28 minutes later. Trains from Yerres run every 15 minutes, taking 24 minutes to Gare de Lyon.  www.transilien.fr

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